Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
Im Buch
Ergebnisse 1-3 von 47
Seite 10
... created for wealthy clients and often exhibited at the annual shows of the Royal Academy and other such institutions were not necessarily accessible to a very broad segment of the population . Although I will by no means ignore such ...
... created for wealthy clients and often exhibited at the annual shows of the Royal Academy and other such institutions were not necessarily accessible to a very broad segment of the population . Although I will by no means ignore such ...
Seite 91
... created a highly emblematic frontispiece design . Having ear- lier authored an emblem book , Religious Emblems : being a Series of Engravings drawn on Wood ... the Descriptions written by the Rev. J [ ames ] Thomas ( 1809 ) , Thurston ...
... created a highly emblematic frontispiece design . Having ear- lier authored an emblem book , Religious Emblems : being a Series of Engravings drawn on Wood ... the Descriptions written by the Rev. J [ ames ] Thomas ( 1809 ) , Thurston ...
Seite 176
... created with many dark tones and hence suggestive of the somber and melancholic state of Hamlet's mind . A similar image of Booth seated and reading a book was also created in a photograph by Napoleon Sarony . In this instance ...
... created with many dark tones and hence suggestive of the somber and melancholic state of Hamlet's mind . A similar image of Booth seated and reading a book was also created in a photograph by Napoleon Sarony . In this instance ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
Verweise auf dieses Buch
Einführung in die Ikonographie: Wege zur Deutung von Bildinhalten Frank Büttner,Andrea Gottdang Eingeschränkte Leseprobe - 2006 |