Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
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... became ever more recognizable to an ever broader public . Henceforth , every major actor performing the role ( and later some actors performing other roles in the play ) became available to the eyes of the public not just through the ...
... became ever more recognizable to an ever broader public . Henceforth , every major actor performing the role ( and later some actors performing other roles in the play ) became available to the eyes of the public not just through the ...
Seite 282
... became representative in the nineteenth century of a deeply bedded cultural construction of the feminine that pro- foundly affected the arts , the practice of medicine , and all aspects of male - female relationships . The supposed link ...
... became representative in the nineteenth century of a deeply bedded cultural construction of the feminine that pro- foundly affected the arts , the practice of medicine , and all aspects of male - female relationships . The supposed link ...
Seite 372
... became known as " cartes - de - visite . " They were introduced into Britain in 1857 and became ex- tremely popular . chromolithograph A type of lithograph ( see " lithograph " ) that was made from several lithographic stones , each ...
... became known as " cartes - de - visite . " They were introduced into Britain in 1857 and became ex- tremely popular . chromolithograph A type of lithograph ( see " lithograph " ) that was made from several lithographic stones , each ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
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actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
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