The New Moulton's Library of Literary Criticism, Band 2Harold Bloom Chelsea House Publishers, 1985 - 650 Seiten Cover title: The New Moulton's. Contains criticism of William Shakespeare from 1592 to the turn of the twentieth century. |
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Seite 833
... scene in which noticeable improvement has been effected by these means . I may here remark that he only omits four entire scenes , and introduces none , except the di- alogue between Falconbridge and Hubert which concludes Act iv . The ...
... scene in which noticeable improvement has been effected by these means . I may here remark that he only omits four entire scenes , and introduces none , except the di- alogue between Falconbridge and Hubert which concludes Act iv . The ...
Seite 834
... scene is substantially the same as the present , Act iv . sc . 2 ; but the difference in the skill of their workmanship makes it worth while to examine them in detail . In the first place , using the simple stage expedient of announcing ...
... scene is substantially the same as the present , Act iv . sc . 2 ; but the difference in the skill of their workmanship makes it worth while to examine them in detail . In the first place , using the simple stage expedient of announcing ...
Seite 920
... scenes ; removing them from the places where they were inartificially set ; and though it was impossible to keep ' em all unbroken , because the scene must be sometimes in the city and sometimes in the camp , yet I have so ordered them ...
... scenes ; removing them from the places where they were inartificially set ; and though it was impossible to keep ' em all unbroken , because the scene must be sometimes in the city and sometimes in the camp , yet I have so ordered them ...
Inhalt
As You Like | 780 |
Much Ado about Nothing | 786 |
The Merry Wives of Windsor | 795 |
Urheberrecht | |
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action actor admiration Æschylus appears Bacon beauty Ben Jonson Brutus Cæsar called character comedy Comedy of Errors comic Coriolanus critics death drama dramatist dream Duke effect English expression eyes Falstaff fancy feel genius give Hamlet hand hath heart Henry human imagination Johnson Juliet Julius Cæsar King language Lear learned less living Lord Love's Labour's Lost lovers Macbeth matter means Measure for Measure Midsummer Night's Dream mind moral nature never night noble Othello passages passion perhaps persons philosophy piece Plautus play poem poet poetic poetry Prince reader reason Richard Richard II Romeo Romeo and Juliet scene seems sense Shake Shakespeare Sonnets soul speak speare speare's speech spirit stage story Stratford style sweet thing thou thought tion tragedy true truth Twelfth Night verse whole William Shakespeare words write youth