Christabel and the Lyrical and Imaginative Poems of S. T. Coleridge (Classic Reprint)

Cover
1kg Limited, 27.01.2017 - 200 Seiten
Excerpt from Christabel and the Lyrical and Imaginative Poems of S. T. Coleridge

Fears m Solitude (exquisite as 13 the overture, faultless in tone and colour, and worthy of a better sequel) with the majestic and masculine sonnet of Wordsworth, written at the same time on the same subject the lesser poet - for, great as he is, I at least cannot hold Wordsworth, though so much the stronger and more admirable man, equal to Coleridge as mere poet - speakswith a calm force of thought and resolution; Coleridge wails, ' appeals, deprecates, objurgates in a flaccid and querulous fashion without heart or spirit. This debility of mind and manner is set off in strong relief by the loveliness of landscape touches in the same poem. The eclogue of Fire, Famine, and Slaughter, being lyrical, is worthier of a great name; it has force and motion enough to keep it alive yet and fresh, impeded and trammelled though it usually be by the somewhat vain and verbose eloquence of a needlessly Apologetic Preface. Blank verse Coleridge could never handle with the security of conscious skill and a trained strength; it grows in his hands too facile and feeble to carry the due weight or accomplish the due work. I have not found any of his poems in this metre retouched and re invigorated as a few have been among his others. Onexviii essay ON coleridge.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Was andere dazu sagen - Rezension schreiben

Es wurden keine Rezensionen gefunden.

Andere Ausgaben - Alle anzeigen

Über den Autor (2017)

Born in Ottery St. Mary, England, in 1772, Samuel Taylor Coleridge studied revolutionary ideas at Cambridge before leaving to enlist in the Dragoons. After his plans to start a communist society in the United States with his friend Robert Southey, later named poet laureate of England, were botched, Coleridge instead turned his attention to teaching and journalism in Bristol. Coleridge married Southey's sister-in-law Sara Fricker, and they moved to Nether Stowey, where they became close friends with William and Dorothy Wordsworth. From this friendship a new poetry emerged, one that focused on Neoclassic artificiality. In later years, their relationship became strained, partly due to Coleridge's moral collapse brought on by opium use, but more importantly because of his rejection of Wordworth's animistic views of nature. In 1809, Coleridge began a weekly paper, The Friend, and settled in London, writing and lecturing. In 1816, he published Kubla Kahn. Coleridge reported that he composed this brief fragment, considered by many to be one of the best poems ever written lyrically and metrically, while under the influence of opium, and that he mentally lost the remainder of the poem when he roused himself to answer an ill-timed knock at his door. Coleridge's The Rime of the Ancient Mariner, Christabel, and his sonnet Ozymandias are all respected as inventive and widely influential Romantic pieces. Coleridge's prose works, especially Biographia Literaria, were also broadly read in his day. Coleridge died in 1834.

Bibliografische Informationen