Shakspeare's dramatic art: and his relation to Calderon and Goethe. Translated from the German [by A. J. W. M. i.e. Morrison].Chapman, 1846 - 554 Seiten |
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Seite 14
... poem , or one written in a low style , and in the ordi- nary language of life : and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves ...
... poem , or one written in a low style , and in the ordi- nary language of life : and even so late as the last days of Elizabeth , Churchyard gave the name of Tragedy to some elegies , and Markham to an heroic poem , in rhyming octaves ...
Seite 20
... poets troubled themselves little or nothing about the rules of Aristotle . Freshly and freely they followed their own path , whilst , consciously or uncon- sciously , they steadily adopted , refined , and elaborated those ele- ments of ...
... poets troubled themselves little or nothing about the rules of Aristotle . Freshly and freely they followed their own path , whilst , consciously or uncon- sciously , they steadily adopted , refined , and elaborated those ele- ments of ...
Seite 23
... poem or from the position of affairs , followed each other in simple and arbitrary succession . From the same cause the early English dramatists fell into error as to the very idea of Tragedy . In order to ensure to it its general ...
... poem or from the position of affairs , followed each other in simple and arbitrary succession . From the same cause the early English dramatists fell into error as to the very idea of Tragedy . In order to ensure to it its general ...
Seite 25
... poets , that , notwithstanding many of them were well acquainted with the dramatic laws of the ancients , they still ... poetic beauty of form , in subjection to the laws of spiritual beauty . Instead of a merely sensible , i . e ...
... poets , that , notwithstanding many of them were well acquainted with the dramatic laws of the ancients , they still ... poetic beauty of form , in subjection to the laws of spiritual beauty . Instead of a merely sensible , i . e ...
Seite 26
... poets into license and anarchy . But this was a result of the very construction of the human mind , according to which liberty invariably expresses itself negatively at first , i . e . assumes the appearance of caprice and extravagance ...
... poets into license and anarchy . But this was a result of the very construction of the human mind , according to which liberty invariably expresses itself negatively at first , i . e . assumes the appearance of caprice and extravagance ...
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Accordingly action already ancient appears artistic beauty Ben Jonson Calderon caprice character Christian circumstances Collier comedy comic view composition consequently Coriolanus critics Cymbeline death divine doubt Drake earthly English epical evil exhibited existence external fact Falstaff fancy feeling fundamental idea genius Gentlemen of Verona genuine Goethe Goethe's grace ground-idea Hamlet hand Henry the Sixth historical drama honour human Humanum Genus humour inmost intrinsic Jonson Julius Cæsar justice King language Lastly latter less Locrine lyrical Macbeth Malone merely mind moral nature necessity nevertheless noble objective organic Othello outward passion Pericles personages piece play poem poesy poet poetical poetry possess present Prince principle profound racter reign Romeo Romeo and Juliet satire scene Shak Shakspeare Shakspeare's sonnets spirit subjective thought Tieck tion Titus Andronicus tragedy tragic Troilus and Cressida true truth unity view of things virtue weakness whole Winter's Tale