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1860.]

91

AN OLD ROD FOR NEW POETS.

WHAT I wish is,

That poets would leave the Brook and Bee alone,

Which make sufficient music of their own,

Cease singing of the Stars and of the Soul,
This passion, that passion, and the roll
Of the murmuring sea and its long monotone,
And sing of men; or, if that can't be done,
Try fishes.

But ah, my gentle master Tennyson,
Not against thee or thine do I rebel-

Thou, with a heart like the sea-sounding shell,
Whose eyes discover to our wondering sight
Whate'er they look on in a lovelier light,
Who, learning all by wordless Nature sung,
Taught her in turn to speak the English tongue.
As thine own Brook might of the river sing,
The river of the sea, the airs that swing
In our own homely oaks of tropic storms,
So thou of all great Nature's varying forms.
And as that Brook of thine shall ever flow,
While men in drought-sick shallows come and go,
So thy unsullied verse shall onward fare
Over ten thousand thousand hearts of care,
When all the passionate pipers now that rave
In unremembered trunks have found a grave.

Know ye the tribe, O British public? These
Who set their brains to cream for similes,
Sour the slab product with a thundering bray,
And serve the morsels in a pool of whey.
As Dulcamara at a country fair
Assumes, to sell his pills, an Eastern air,
So these for purposes of equal weight,

Their drugs as dull, their impudence as great,
Rant in barbaric phrase at second-hand,

Affecting most what least we understand.

Have we a heroine, be sure that she,

Tawny as Cleopatra, and as free

From that poor superstition-modesty

Breathes myrrh at least. Her eyes an image take

From the dusk panther's in an Indian brake;

Her form, embraced in webs of Tyrian dye,

Not all impervious to a poet's eye,
Sails like a rich Egyptian argosie;
And the sum total of the picture is
A kind of Pentonville Semiramis.

Like the red rags by gozzerds held in use
To stimulate the non-sequential goose,
These hectic phrases are employed in song
To whip the waddling, twaddling verse along.
But if our Muses for their daily wear
Exhaust the choicest treasures of Rag Fair,
What shall avail them to amaze our eyes
On each recurring Sabbath of surprise?

Still there remain the stars, the moon, the skies,
Conceits obscene, and good round blasphemies.

Higg! I forgive you when, with sense at war,
Ten times a page you brain us with a star;
And when I do perceive how much your skull
Is like the satellite-not always full,
Shining with borrowed lustre now and then,
Barren, and bellowing with volcanic din―
Your moonstruck fancies fully I forgive,
And only wish that in the moon you'd live.
But when I see, thick spattered o'er the page,
Titbits of excremental verbiage-
Licentious metaphor, base, broad, and bare-
Which only illustrates what Higg can dare;
When in long periods, swelling bully big,
Thy pompous Muse, O melancholy Higg,
Cries God!' and slams a couplet in His face
Who gave you life if He denied you grace-
Then I revolt! But not with so much spite
To wish eternity to what you write.

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Minstrel, reflect-would you avoid the trunk-
Poets may get poetically drunk,

That such fine frenzies may become too fine,
As too much fermentation spoils the wine;
And ah, how sad your fate if, like to these,
You sit fermenting in a little lees!

Be decent, though your poem lack the pith
That gave distinction to the muse of Smith,
And think, whene'er you write the awful Name,
"T must be in reverence if not in shame.
Trust not the critics, and those least of all
Who dub your six-legged calf original;
'Tis not quite unexampled since the flood
To find new monsters rising from new mud.

Pause here, my pen, we've trifled long enough,
The whip too feeble and their hides too tough;
And after all, not they who sing the song,
But those who dance to it are chiefly wrong.

1860.]

All

poesy

An Old Rod for New Poets.

should be, to be divine,

Like good wheat bread and wholesome steeped in wine:
But if the age's stomach, iron fed,

Prefers neat alcohol and rejects the bread?

'Tis but half true; and those who would excuse

In that unhappy way the modern Muse,

Charge the pretender with a new pretence,

And add dishonesty to impudence.

Ah me!

Time was when poets and the stage
Immortalized the virtues of the age

In its high deeds of greatness and of grace,
Or laughed its fav'rite follies in the face;
But now, it seems, our British bards have made
A treaty with French play'rs to drive a trade,
Neglectful of the greatness few can dare,
By gilding vices all mankind may share.
Wide is the market, vast the sympathy.
And you and I, O reader, should not we
Rather compassionate than jeer the throng
Which so much comfort draws from play or song?
Come, let us weep, for every eye is wet,
The loves of Alfred and of Violet !

Who's Lady Franklin? I'll make bold to say
That person's fifty-five, if she's a day!

And all that fuss about a husband! Well,

A kind, brave man, 'tis undeniable;

But while his heroism none can doubt,

You won't dispute that he was bald and stout.
M'Clintock, Hobson, Young-what names to swell
The march of epic verse !-impossible!

The test reveals them in another light;

And Higg, indeed, may after all be right,
Who says a real live hero is as rare

As a dead ass.

Still will I not despair,

But patiently await what Heaven may please
To bless the nation with at Higg's decease!

F. G.

93

THE LITERARY SUBURB OF THE EIGHTEENTH CENTURY.

CHAPTER VII.
STRAWBERRY HILL.

IF my respected ancestor of a

century ago had dressed himself in a suit that might not disgrace the presence of a king, had applied the restorative waters of a perfumer to remove the stains contracted in the company of inebriated genius, had 'girt his loins with the sword that smites not, had powdered those locks not his own, had stiffened those features whose openness betrayed his thoughts too honestly, had submitted his tongue to the higher powers of concealment and deceit, then, though he had been at Fielding's, he might have ventured to go to Walpole's.

At the brow of a natural hill a few yards from Pope's, stands the ruined hall that re-mediævalized England. To say how it arose, and how it has affected the tastes, temporal and spiritual, of this country, will occupy a portion of our literary day. A cottage built in 1698 on Strawberry-hill Shot, by the Earl of Bradford's coachman (who was enabled to secure this innocent retreat for his honoured age by chopping the straw of his master's horses), and occupied in succession by Colley Cibber, Talbot, Bishop of Durham, the Duke of Chandos, and Mrs. Chenevix (who supplied all our grandfathers with their toys), was bought in 1747 by Horace, the youngest son of Sir Robert Walpole. He was at that

time one of those applicants for work, not in order to earn a dinner, but to earn an appetite, who float upon the surface of society at all times. It is often out of young gentlemen in waiting upon events, with a good stock in trade of wit and cleverness, and a considerable share of vanity, that occasion makes great men. After his return from Italy, where he had travelled in company with the poet Gray, instead of writing his adventures he built in lath and plaster his architectural reminiscences, and furnished the erection with the results of his tours among the curiosity shops of the continent and the consignments of his foreign friends. He thus in his own lively way describes his first settlement at Chopped Straw Hall :

The house is so small that I can send it you in a letter to look at; the prospect is as delightful as possible, commanding the river, the town, and Richmond Park; and being situated on a hill, descends to the Thames through two or three little meadows, where I have some Turkish sheep and two cows, all studied in their colours for becoming the view.

And in another letter he says—

It is a little plaything-house that I got out of Mrs. Chenevix's shop, and is the prettiest bauble you ever saw. It is set in enamelled meadows, with filagree hedges :

A small Euphrates through the piece is roll'd,
And little finches wave their wings in gold.

Two delightful roads, that you would call dusty, supply me continually with coaches and chaises; barges as solemn as barons of the exchequer move under my window; Richmond Hill and Ham Walks bound my prospect: but, thank God! the Thames is between me and the Duchess of Queensberry. Dowagers as plenty as flounders inhabit all around, and Pope's ghost is just now skimming under my window by a most poetical moonlight. I have about land enough to keep such a farm as Noah's, when he set up in the ark with a pair of each kind; but my

cottage is rather cleaner than I believe his was after they had been cooped up together forty days.

He frankly owns that when he began to build he knew nothing of the principles of Gothic architecture, but the idea that was evidently present to his romantic and inexact mind was to raise an edifice that should transport one in imagination to the feudal and ecclesiastical times; and he succeeded

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well, for his visitors might have doubted whether it were an abbey or a castle. A low monastic doc: way led to a small oratory, where a saint was enshrined. Beyond it was a cloister; the passage gradually widening led to the hall, thence another narrow passage opened into the refectory, which completed the eminently ecclesiastical suite of apartments on the ground-floor. On the first landing we found that we had quitted the monastery for the baronial castle. The Breakfast Room' opened into the Armoury, which led to the Library. The other rooms were the Star Chamber, the Holbein Chamber, the Gallery fitted up after the style of the stalls in Henry VII.'s chapel, the Round Drawing-room, and the Tribune. His chief models for the decorations of these rooms were the cathedral at Rouen, the tomb of Archbishop Wareham at Canterbury, and St. George's chapel at Windsor. From these gloomy monumental apartments he looked upon a garden studiously riant and gay. The lawns reached down to the river, while on the other side of the road up the hill was a small cell-like cottage embosomed in trees, to which he retired when strangers were come besieging and beseeching,' as Milton has it, to look over his abbey, and where he was an apt representative of a hermit at penance.

Who that has mixed in polite society has not met with a patronizing dilettante: has not seen him in his well-carpeted library, seated in a modern-antique chair, with a black-lettered book before him in a suit of red morocco turned down with gold, pointing out to the learned attention of his guests the last purchased bronze laid carelessly on the porphyry table, inlaid with medallions, or criticising a small fragment of the antique procured during his recent travels? who that has seen him after dinner, when in every corner lights are held by exhumed figures carved by some cunning Etrurian of ancient days; seen him solving as it occurs every little point of critical and

VOL. LXII. NO. CCCLXVII.

95

philological dispute by reference to the neatest copies of the most approved works; settling a doubtful question of fashionable genealogy on the strength of private information from the highest quarter, which, however, at present he is not at liberty to name; taking ont from his ebony scrutoir-which you know formerly belonged to the Emperor Alexipharmic IV. and the celebrated Princess Perukina—taking out the letter which he hopes he may not have misrepresented, but the contents of which are strictly confidential, and on no account to be even hinted in the present state of circumstances; treating with the most polished nonchalance the learned Dr. Macaleph's exposition of the original Hebrew of the first Epistle general of St. Barnabas, chap. ii. v. 17, wrongly interpreted in our version, and just hinting a witticism on the recent ministerial changes, and the marriage in high life now on the tapis? Whoever has seen such a man as this, and so employed, will seek no further illustration of Horace Walpole when on show. But when he would part company with the world for an hour or two-when the mask was off, and the wit alone with his thoughts-Walpole was no more a dilettante but a student. It is in hours like these that industry rejoices in the secret worship of those who publicly profess to scorn her service. Every one has been struck with the revelations in Moore's

Life of Sheridan. The light sparkling bon-mot, that seems just fresh drawn from the fountain of Indolence, is seen in the secretaire of the wit sketched in a dozen phases of its development. No mathematician worked harder at a problem, no advocate spent more toil upon an argument, than the gay debauchee on elaborating his jokes. How hard it is to be facile princeps in anything! And Walpole-shall we not point to him as the man who above all others could take a sheet of paper and fill it off-hand with a lively and amusing letter about nothing? He wished us to think so, but he was in reality only like the orator whose head is stored

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