The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 23
In Greek tragedy tears are mentioned not just as a visual element but as a result
of a feeling . Euripides , Medea 902 f . : Medea : Tálalv ' łyó , ως αρτίδακρύς είμι
και φόβου πλέα . Ah me , How weeping - ripe am I , how full of fear ! Medea says
...
In Greek tragedy tears are mentioned not just as a visual element but as a result
of a feeling . Euripides , Medea 902 f . : Medea : Tálalv ' łyó , ως αρτίδακρύς είμι
και φόβου πλέα . Ah me , How weeping - ripe am I , how full of fear ! Medea says
...
Seite 27
The reflexive passages express an earlier stage of emotion than the transitive
ones ; they refer to the actual impact , whereas the transitive ones present the
final visual result . The most frequent feeling in Senecan tragedy is fear or terror .
The reflexive passages express an earlier stage of emotion than the transitive
ones ; they refer to the actual impact , whereas the transitive ones present the
final visual result . The most frequent feeling in Senecan tragedy is fear or terror .
Seite 45
Renate Stamm. refer to physical events . Often a visual term loses its visual
import within a rational argument , or its visual import is transferred to an
imaginary level by a metaphorical use of the word . This does not mean that the
play is entirely ...
Renate Stamm. refer to physical events . Often a visual term loses its visual
import within a rational argument , or its visual import is transferred to an
imaginary level by a metaphorical use of the word . This does not mean that the
play is entirely ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |