The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 21
... transitive passage . With regard to action the line between the transitive and the reflexive mirror- technique cannot be drawn so clearly . It depends on the dramatic situation whether the one or the other is chosen . A particular case ...
... transitive passage . With regard to action the line between the transitive and the reflexive mirror- technique cannot be drawn so clearly . It depends on the dramatic situation whether the one or the other is chosen . A particular case ...
Seite 26
... transitive mirror - passage describing Andromache's desperate behaviour . Her fear is rendered visible in extreme phy- sical terms . The aside as a whole breaks the dramatic illusion completely . Ulysses cannot possibly talk to himself ...
... transitive mirror - passage describing Andromache's desperate behaviour . Her fear is rendered visible in extreme phy- sical terms . The aside as a whole breaks the dramatic illusion completely . Ulysses cannot possibly talk to himself ...
Seite 27
... transitive ones ; they refer to the actual impact , whereas the transitive ones present the final visual result . The most frequent feeling in Senecan tragedy is fear or terror . When Oedi- pus learns about his crime he says ( Seneca ...
... transitive ones ; they refer to the actual impact , whereas the transitive ones present the final visual result . The most frequent feeling in Senecan tragedy is fear or terror . When Oedi- pus learns about his crime he says ( Seneca ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's