The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 75
... suggest that Isabella holds up first one herb then another . The strongly stressed beginnings of the next lines ... suggests lighter and more rapid blows . With her last line , which plays on the word " plot " , Isabella stops her ...
... suggest that Isabella holds up first one herb then another . The strongly stressed beginnings of the next lines ... suggests lighter and more rapid blows . With her last line , which plays on the word " plot " , Isabella stops her ...
Seite 88
... suggests it by impulse words . At the end of the first part of Tamburlaine the triumphant conqueror says to his retinue ... suggest the throwing away of a homely garment characteristic of the shepherd's trade and the picking up of armour ...
... suggests it by impulse words . At the end of the first part of Tamburlaine the triumphant conqueror says to his retinue ... suggest the throwing away of a homely garment characteristic of the shepherd's trade and the picking up of armour ...
Seite 115
... suggestion that the painted cloth may have been disclosed again is un- convincing.24 The property would disturb ... suggest that his situation grows more and more desperate until , at last , he is dragged off the stage by the devils ...
... suggestion that the painted cloth may have been disclosed again is un- convincing.24 The property would disturb ... suggest that his situation grows more and more desperate until , at last , he is dragged off the stage by the devils ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's