The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 55
... subjective . Ambidexter introduces himself in an imposing manner . He refers to his outfit in grand words and gestures ( lines 126 f . ) . His gran- diloquence contrasts with the shabbiness of his actual appearance . He is bragging ...
... subjective . Ambidexter introduces himself in an imposing manner . He refers to his outfit in grand words and gestures ( lines 126 f . ) . His gran- diloquence contrasts with the shabbiness of his actual appearance . He is bragging ...
Seite 67
... subjective . The villain Villuppo deliberately speaks an untruth in accusing Alexandro of hypocrisy . The passage also reveals an objective truth : Alexandro's innocent looks contradict Villuppo's slander . Thus the spoken word on the ...
... subjective . The villain Villuppo deliberately speaks an untruth in accusing Alexandro of hypocrisy . The passage also reveals an objective truth : Alexandro's innocent looks contradict Villuppo's slander . Thus the spoken word on the ...
Seite 116
... subjective aspect : for him night is something uncanny ; he speaks of its " gloomy shadow , Orion's drizzling looks , her pitchy breath " . Especially the manner in which it comes is strange and unnatural : it does not follow its slow ...
... subjective aspect : for him night is something uncanny ; he speaks of its " gloomy shadow , Orion's drizzling looks , her pitchy breath " . Especially the manner in which it comes is strange and unnatural : it does not follow its slow ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's