The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 58
... stage - direction , the first sentence of which ( Heer draw and fight . ) is retrospective , for it corresponds to the last two speeches . The rest of the stage - direction is prospective , its contents being coordinated with the ...
... stage - direction , the first sentence of which ( Heer draw and fight . ) is retrospective , for it corresponds to the last two speeches . The rest of the stage - direction is prospective , its contents being coordinated with the ...
Seite 64
... stage without interrupting their conversation the dramatic situation is maintained up to the very last moment . Stage - directions are hardly necessary for exits . Only at the end of the play a direction says that the persons leave the ...
... stage without interrupting their conversation the dramatic situation is maintained up to the very last moment . Stage - directions are hardly necessary for exits . Only at the end of the play a direction says that the persons leave the ...
Seite 120
... stage , mute . Barabas , already on stage , intrudes upon him and interrupts him in his daily pursuit . Clearly he is the active plotter who catches his victims whenever he can . Twice in the play a stage - direction refers to a visual ...
... stage , mute . Barabas , already on stage , intrudes upon him and interrupts him in his daily pursuit . Clearly he is the active plotter who catches his victims whenever he can . Twice in the play a stage - direction refers to a visual ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's