The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 23
... speech comes groaning . Thyestes ' speech is chiefly descriptive . It is once more an expression of his com- plex state of mind . Thyestes wishes to be gay , yet he is disturbed by a feeling of grief . His condition is rendered visible ...
... speech comes groaning . Thyestes ' speech is chiefly descriptive . It is once more an expression of his com- plex state of mind . Thyestes wishes to be gay , yet he is disturbed by a feeling of grief . His condition is rendered visible ...
Seite 58
... speech combined with stage- directions in order to present a scene rich in action . The gestic impulses in the speeches are not always precise ; they do not always say what exactly the implied gestures are . The stage - directions give ...
... speech combined with stage- directions in order to present a scene rich in action . The gestic impulses in the speeches are not always precise ; they do not always say what exactly the implied gestures are . The stage - directions give ...
Seite 136
... speech is provoking : he justifies his familiarity with Gaveston by the arbitrary remark " we will have it so " . The minion's exalted position is then mirrored by the nobles from their point of view . Lancaster's ironical answer is in ...
... speech is provoking : he justifies his familiarity with Gaveston by the arbitrary remark " we will have it so " . The minion's exalted position is then mirrored by the nobles from their point of view . Lancaster's ironical answer is in ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's