The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 47
Overwhelmed at the sight he gives vent to his feelings of guilt . He does not
describe the body , his emotions being too strong to look at it in an objective way .
The passage is a subjective expression of feeling . Although its outer form is that
of ...
Overwhelmed at the sight he gives vent to his feelings of guilt . He does not
describe the body , his emotions being too strong to look at it in an objective way .
The passage is a subjective expression of feeling . Although its outer form is that
of ...
Seite 55
By their contrast the comic quality of Ambidexter ' s character , his conceit and self
- deception , is made prominent . Later in the same scene the ruffian Huf catches
sight of Ambidexter : Huf : Gogs wounds , what art thou that with us doost mel ?
By their contrast the comic quality of Ambidexter ' s character , his conceit and self
- deception , is made prominent . Later in the same scene the ruffian Huf catches
sight of Ambidexter : Huf : Gogs wounds , what art thou that with us doost mel ?
Seite 103
... between heaven and hell . Marlowe looks back to the morality tradition when
he represents the two opposing principles by the figures of angels and devils . In
the early parts of the play Faustus is repelled by the sight of the messengers ...
... between heaven and hell . Marlowe looks back to the morality tradition when
he represents the two opposing principles by the figures of angels and devils . In
the early parts of the play Faustus is repelled by the sight of the messengers ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |