The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 25
... says something not intended for his ears . The aside occurs above all in scenes in which the characters are up to some kind of deception . When Medea realizes how much Jason loves his children she says ( Seneca , Medea 549 ff ...
... says something not intended for his ears . The aside occurs above all in scenes in which the characters are up to some kind of deception . When Medea realizes how much Jason loves his children she says ( Seneca , Medea 549 ff ...
Seite 88
... says : Zenocrate : Thence rise the tears that so distain my cheeks , Fearing his love through my unworthiness . III . ii . 64 She explains that the fear of being unworthy of Tamburlaine's love is the reason of her tears . The reflexive ...
... says : Zenocrate : Thence rise the tears that so distain my cheeks , Fearing his love through my unworthiness . III . ii . 64 She explains that the fear of being unworthy of Tamburlaine's love is the reason of her tears . The reflexive ...
Seite 121
... says : " Great injuries are not so soon forgot " . Yet in his self - characterization in the second act he presents himself as an essential villain ; he enumerates with glee all the crimes committed long before he was wronged by the ...
... says : " Great injuries are not so soon forgot " . Yet in his self - characterization in the second act he presents himself as an essential villain ; he enumerates with glee all the crimes committed long before he was wronged by the ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's