The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... play . Combined with the external evidence , the theatrical notation of a play may be studied for the purpose of reconstructing historical theatre productions . Investi- gations into the Shakespearean plays for instance give rich ...
... play . Combined with the external evidence , the theatrical notation of a play may be studied for the purpose of reconstructing historical theatre productions . Investi- gations into the Shakespearean plays for instance give rich ...
Seite 53
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
... play makes itself felt here . B. A POPULAR PLAY : CAMBISES In the dramatic technique of Robert Wilmot we have found new features , which may be due to a contact with the popular stage . We now examine a popular play in order to see in ...
Seite 82
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
... play . Thus he created a kind of drama which was new at the time : a play with a protagonist . The sources did not provide more than outlines , and thus the play is a very personal creation of Marlowe's . The mirror - technique in the ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's