The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 22
... physical effects of his fear only but also the feelings which cause the physical condition : he tries to go , he wants to go , for he does not see any reason for fear ; yet he cannot , his knees fail him . The simile at the end ...
... physical effects of his fear only but also the feelings which cause the physical condition : he tries to go , he wants to go , for he does not see any reason for fear ; yet he cannot , his knees fail him . The simile at the end ...
Seite 45
... physical expression of passion : it occurs , if not in its mirror - passages , then at least in reports : Claudia informs the audience of Gismond's condition in the following words : Claudia : Whoes sharp conflict disquietes her so sore ...
... physical expression of passion : it occurs , if not in its mirror - passages , then at least in reports : Claudia informs the audience of Gismond's condition in the following words : Claudia : Whoes sharp conflict disquietes her so sore ...
Seite 70
... physical play on stage is denoted with such accuracy that even its speed is recorded : first an accelerando , then a ritardando , then the catas- trophe . The action in itself is a strangely physical expression of a love relationship ...
... physical play on stage is denoted with such accuracy that even its speed is recorded : first an accelerando , then a ritardando , then the catas- trophe . The action in itself is a strangely physical expression of a love relationship ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's