The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... person on stage . They may be transitive , if the speaker talks about another person , or reflexive , if he talks about himself . They need not always describe a simultaneous event , but they may point to the future ( prospective mirror ...
... person on stage . They may be transitive , if the speaker talks about another person , or reflexive , if he talks about himself . They need not always describe a simultaneous event , but they may point to the future ( prospective mirror ...
Seite 35
... person may be rendered visible by a mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict ...
... person may be rendered visible by a mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict ...
Seite 54
... person just spoken of . The reference to the newcomer in this example is not really integrated in the dramatic context . The councellor interrupts the king's speech and makes a formal announcement . Better integration is found in the ...
... person just spoken of . The reference to the newcomer in this example is not really integrated in the dramatic context . The councellor interrupts the king's speech and makes a formal announcement . Better integration is found in the ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's