The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... performance on stage . A critic of drama must therefore take into account more factors than just the written text and its mean- ings : there is the visual impression the spectator gets of the stage events ( scenery ; actors , their ...
... performance on stage . A critic of drama must therefore take into account more factors than just the written text and its mean- ings : there is the visual impression the spectator gets of the stage events ( scenery ; actors , their ...
Seite 13
... performance . Then Medea is described in direct terms . Her behaviour is an exaggerated physi- cal manifestation of an intense passion . She is subjected not to one passion alone but to different attacks of conflicting emotions : in no ...
... performance . Then Medea is described in direct terms . Her behaviour is an exaggerated physi- cal manifestation of an intense passion . She is subjected not to one passion alone but to different attacks of conflicting emotions : in no ...
Seite 45
... performance . Action : This sense for the performance on stage appears more strikingly in an- other way : the play contains stage - directions . Not only entrances and exits , also actions within the scene are mentioned in marginal ...
... performance . Action : This sense for the performance on stage appears more strikingly in an- other way : the play contains stage - directions . Not only entrances and exits , also actions within the scene are mentioned in marginal ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's