The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 65
... murder of their sons ; they are both in need of support . There is a certain complexity in their grouping : they are both weak , yet either of them is able to support the other . This complexity , which is also stressed by the stylistic ...
... murder of their sons ; they are both in need of support . There is a certain complexity in their grouping : they are both weak , yet either of them is able to support the other . This complexity , which is also stressed by the stylistic ...
Seite 73
... murder scene : Belimperia : Who's there ? Pedringano ! We are betray'd ! ( Enter Lorenzo , Balthazar , Serberine , Pedringano , disguised . ) Lorenzo : My lord , away with her , take her aside . O sir , forbear , your valour is already ...
... murder scene : Belimperia : Who's there ? Pedringano ! We are betray'd ! ( Enter Lorenzo , Balthazar , Serberine , Pedringano , disguised . ) Lorenzo : My lord , away with her , take her aside . O sir , forbear , your valour is already ...
Seite 143
... murder , especially the mentioning of the three tools , leave no doubt that Marlowe meant the murdering to be done ... murder are notated in speech , the murder itself is implied , the most adequate vocal expression of its horror being ...
... murder , especially the mentioning of the three tools , leave no doubt that Marlowe meant the murdering to be done ... murder are notated in speech , the murder itself is implied , the most adequate vocal expression of its horror being ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's