The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 12
Renate Stamm. The description of mood is in fact a central concern of Seneca's . The majority of his entrance passages serve this purpose . They often occur with characters al- ready known to the spectator . The mood of an entering ...
Renate Stamm. The description of mood is in fact a central concern of Seneca's . The majority of his entrance passages serve this purpose . They often occur with characters al- ready known to the spectator . The mood of an entering ...
Seite 15
... mood : Megara is desperate . In another play , the Thyestes , the same visual element , unkempt hair , stands for a ... mood in Seneca's plays , a change of costume may mean a change of mood . Jocasta tries to dissuade her son Polynices ...
... mood : Megara is desperate . In another play , the Thyestes , the same visual element , unkempt hair , stands for a ... mood in Seneca's plays , a change of costume may mean a change of mood . Jocasta tries to dissuade her son Polynices ...
Seite 35
... mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the start . Within the scene mood is rendered prominent in the same manner . It is rarely expressed by the subtle means of the ...
... mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the start . Within the scene mood is rendered prominent in the same manner . It is rarely expressed by the subtle means of the ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's