The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... mirror - passages ) or refer to the past ( retrospective mirror- passages ) . They may mention a fact as it is , i . e . contain objective and reliable in- formation , or they may distort the facts in consequence of the special point of ...
... mirror - passages ) or refer to the past ( retrospective mirror- passages ) . They may mention a fact as it is , i . e . contain objective and reliable in- formation , or they may distort the facts in consequence of the special point of ...
Seite 14
... passages a future event , which will not be shown on stage , is described in great detail . Thus we find that with exits , as with entrances , Seneca uses more ... Mirror-Passages within the Scene Transitive Mirror-Passages a) Appearance.
... passages a future event , which will not be shown on stage , is described in great detail . Thus we find that with exits , as with entrances , Seneca uses more ... Mirror-Passages within the Scene Transitive Mirror-Passages a) Appearance.
Seite 35
... mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the ...
... mirror - passage . It may be contrasted with that of a character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case of a controversy , a conflict of moods is established from the ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's