The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 10
... mentioned , which can- not be represented on stage . Such are the arguments which strenghten the view that Seneca's ... mention not only the newcomer's name but they also describe him . They ΙΟ The Mirror-Technique in Senecan Tragedy ...
... mentioned , which can- not be represented on stage . Such are the arguments which strenghten the view that Seneca's ... mention not only the newcomer's name but they also describe him . They ΙΟ The Mirror-Technique in Senecan Tragedy ...
Seite 58
... mentioned in the stage- direction only . Meretrix then concentrates on Snuf ( lines 269 and 270 ) , who runs away soon . She then treats Ruf ( lines 271 and 272 ) in the manner described in the following retrospective stage - direction ...
... mentioned in the stage- direction only . Meretrix then concentrates on Snuf ( lines 269 and 270 ) , who runs away soon . She then treats Ruf ( lines 271 and 272 ) in the manner described in the following retrospective stage - direction ...
Seite 86
... mentioned in Theridamas ' speech before : Tamburlaine is looking down , Theridamas is looking up . The gestures symbolize the relation between the two interlocutors : Theridamas is the inferior , Tamburlaine the superior . Tamburlaine ...
... mentioned in Theridamas ' speech before : Tamburlaine is looking down , Theridamas is looking up . The gestures symbolize the relation between the two interlocutors : Theridamas is the inferior , Tamburlaine the superior . Tamburlaine ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's