The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 12
His face indicates the nature of the ensuing report . Unlike Euripides , Seneca
uses not just one word but a whole line for the description of the face . He refers
to it in extreme terms , not in the restrained manner of the Greek playwright . It is
his ...
His face indicates the nature of the ensuing report . Unlike Euripides , Seneca
uses not just one word but a whole line for the description of the face . He refers
to it in extreme terms , not in the restrained manner of the Greek playwright . It is
his ...
Seite 35
In this manner the mood of the ensuing scene , or , in the case of a controversy , a
conflict of moods is established from the start . Within the scene mood is rendered
prominent in the same manner . It is rarely expressed by the subtle means of ...
In this manner the mood of the ensuing scene , or , in the case of a controversy , a
conflict of moods is established from the start . Within the scene mood is rendered
prominent in the same manner . It is rarely expressed by the subtle means of ...
Seite 116
Especially the manner in which it comes is strange and unnatural : it does not
follow its slow natural course , but it “ leaps from th ' antarctic world unto the sky " .
Quite suddenly it envelops Faustus as if it were attracted and accelerated by his ...
Especially the manner in which it comes is strange and unnatural : it does not
follow its slow natural course , but it “ leaps from th ' antarctic world unto the sky " .
Quite suddenly it envelops Faustus as if it were attracted and accelerated by his ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |