The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 55
Then he admits that he is not at all fond of fighting ; indeed later on he turns out to
be a great coward . In this mirror - passage speech and appearance are at odds .
By their contrast the comic quality of Ambidexter ' s character , his conceit and ...
Then he admits that he is not at all fond of fighting ; indeed later on he turns out to
be a great coward . In this mirror - passage speech and appearance are at odds .
By their contrast the comic quality of Ambidexter ' s character , his conceit and ...
Seite 99
He triumphs in his success ( look , where he goes ) , but an instant later he is
already disillusioned ( but see , he comes again ) . By such gestic impulses
Marlowe dramatizes the passage . He provides a Senecan type of mirror -
passage with a ...
He triumphs in his success ( look , where he goes ) , but an instant later he is
already disillusioned ( but see , he comes again ) . By such gestic impulses
Marlowe dramatizes the passage . He provides a Senecan type of mirror -
passage with a ...
Seite 111
A moment later the answer comes as a counsel of despair which puts him back to
where he was at the beginning : God does not love him . Perverting the concept
of God he states that he has chosen another God , the God of his “ own appetite ...
A moment later the answer comes as a counsel of despair which puts him back to
where he was at the beginning : God does not love him . Perverting the concept
of God he states that he has chosen another God , the God of his “ own appetite ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |