The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 55
... later on he turns out to be a great coward . In this mirror - passage speech and appearance are at odds . By their contrast the comic quality of Ambidexter's character , his conceit and self - deception , is made prominent . Later in ...
... later on he turns out to be a great coward . In this mirror - passage speech and appearance are at odds . By their contrast the comic quality of Ambidexter's character , his conceit and self - deception , is made prominent . Later in ...
Seite 82
... later used his knowledge of Latin in translating Ovid's Amores and the first book of Lucan's epic on the Roman civil war . It was epic Latin literature which fascinated him most , for he also wrote a play Dido , which was stimulated by ...
... later used his knowledge of Latin in translating Ovid's Amores and the first book of Lucan's epic on the Roman civil war . It was epic Latin literature which fascinated him most , for he also wrote a play Dido , which was stimulated by ...
Seite 99
... later he is already disillusioned ( but see , he comes again ) . By such gestic impulses Marlowe dramatizes the passage . He provides a Senecan type of mirror - passage with a new meaning : Tamburlaine's vision is not an expression of ...
... later he is already disillusioned ( but see , he comes again ) . By such gestic impulses Marlowe dramatizes the passage . He provides a Senecan type of mirror - passage with a new meaning : Tamburlaine's vision is not an expression of ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's