The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 21
... inner experience can be uttered only by Hercules himself in a reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated ...
... inner experience can be uttered only by Hercules himself in a reflexive passage . The inaccuracy is due to Seneca's aim of being most expressive . The description of Hercules ' collapse , being most detailed in itself , is illustrated ...
Seite 43
... inner condition . He suffers from a conflict . His anger , which in his eyes is just , calls for revenge against his faithless daugther . A natural impulse , however , makes him refrain from acting against his own child . This checking ...
... inner condition . He suffers from a conflict . His anger , which in his eyes is just , calls for revenge against his faithless daugther . A natural impulse , however , makes him refrain from acting against his own child . This checking ...
Seite 128
... inner condition . At the beginning of the play Barabas demonstrates his love of wealth by fondling his money . When the governor seizes upon his possessions , he reacts with violent expostulations against him . In his grief he kneels ...
... inner condition . At the beginning of the play Barabas demonstrates his love of wealth by fondling his money . When the governor seizes upon his possessions , he reacts with violent expostulations against him . In his grief he kneels ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's