The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 82
... importance as a symbol of power . Yet this first scene , in itself very serious , represents a minor event only in the ... important piece of property right at the beginning of his play and charges it with symbolic power by making it the ...
... importance as a symbol of power . Yet this first scene , in itself very serious , represents a minor event only in the ... important piece of property right at the beginning of his play and charges it with symbolic power by making it the ...
Seite 120
... important item of Barabas ' make - upe is his big nose . Supposing that it is an attribute of Barabas only , not of the other Jews , we may conclude that this speciality of his is not only a comic attribute of a type figure , but that ...
... important item of Barabas ' make - upe is his big nose . Supposing that it is an attribute of Barabas only , not of the other Jews , we may conclude that this speciality of his is not only a comic attribute of a type figure , but that ...
Seite 134
... important as a foundation of the later turn of events . Other reciprocal passages reflect the antagonism between Edward and the nobles . While the king's party is on stage , the nobles enter : Mortimer Jun .: Look , Lancaster , yonder ...
... important as a foundation of the later turn of events . Other reciprocal passages reflect the antagonism between Edward and the nobles . While the king's party is on stage , the nobles enter : Mortimer Jun .: Look , Lancaster , yonder ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's