The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 8
... imagination only . In this study we shall add two terms to those used by Rudolf Stamm . The mirror - passages referring to outer , physical events will be termed " direct " , those referring to inner , mental conditions “ indirect ...
... imagination only . In this study we shall add two terms to those used by Rudolf Stamm . The mirror - passages referring to outer , physical events will be termed " direct " , those referring to inner , mental conditions “ indirect ...
Seite 29
... imaginative power of the mind . Imagination may have yet another ef- fect : it may make the characters see things without any objective reality . The Senecan avengers suffer from their immense passions . Their thirst for re- venge is ...
... imaginative power of the mind . Imagination may have yet another ef- fect : it may make the characters see things without any objective reality . The Senecan avengers suffer from their immense passions . Their thirst for re- venge is ...
Seite 92
... imagination moves upwards to heaven just as his physical movement on stage is directed upwards to his throne . Bajazeth performs the opposite movement : as he crouches down his imagination also moves downwards to hell . He invites Hades ...
... imagination moves upwards to heaven just as his physical movement on stage is directed upwards to his throne . Bajazeth performs the opposite movement : as he crouches down his imagination also moves downwards to hell . He invites Hades ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's