The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 44
29 In this case , too , they do not bear a mirroring function , the word “ tears ”
being used as a mere synonym of “ grief ” . Thus far we have found that the
authors of Gismond follow Seneca to a certain extent in the description of
emotion and ...
29 In this case , too , they do not bear a mirroring function , the word “ tears ”
being used as a mere synonym of “ grief ” . Thus far we have found that the
authors of Gismond follow Seneca to a certain extent in the description of
emotion and ...
Seite 112
... demean himself . Mephistophilis : How should he , but in desperate lunacy ?
Fond worldling , now his heart - blood dries with grief , His conscience kills it and
his labouring brain Begets a world of idle fantasies , To over - reach the Devil ;
but ...
... demean himself . Mephistophilis : How should he , but in desperate lunacy ?
Fond worldling , now his heart - blood dries with grief , His conscience kills it and
his labouring brain Begets a world of idle fantasies , To over - reach the Devil ;
but ...
Seite 128
In his grief he kneels down and strikes the ground . His feelings are thus shown
mainly by external means . Only twice do we find a mirror - passage referring to
the inner condition of the protagonist . Barabas : Ay , let me sorrow for this
sudden ...
In his grief he kneels down and strikes the ground . His feelings are thus shown
mainly by external means . Only twice do we find a mirror - passage referring to
the inner condition of the protagonist . Barabas : Ay , let me sorrow for this
sudden ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |