The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
Im Buch
Ergebnisse 1-3 von 30
Seite 8
... gestic implica- tions , too . Such gestic innervation of the speech can be regarded as an extreme case of the reflexive mirror - passage : the speaker does not describe what he is doing but he suggests it by the manner in which he ...
... gestic implica- tions , too . Such gestic innervation of the speech can be regarded as an extreme case of the reflexive mirror - passage : the speaker does not describe what he is doing but he suggests it by the manner in which he ...
Seite 24
... gestic impulse . It appears for instance in a scene between Phaedra and Hippolytus ( Seneca , Hippo- lytus 702 ff ... gestic impulses such as " Pro- cul ... amove " ( 704 ) and “ Abscede , vive ” ( 713 ) . On account of their gestic im ...
... gestic impulse . It appears for instance in a scene between Phaedra and Hippolytus ( Seneca , Hippo- lytus 702 ff ... gestic impulses such as " Pro- cul ... amove " ( 704 ) and “ Abscede , vive ” ( 713 ) . On account of their gestic im ...
Seite 32
... gestic response . The innervation of such passages is proof , not that Seneca wrote for the stage , but that he was not without theatrical imagination ; he recorded in speech the gestic reaction of a character facing a vision , as he ...
... gestic response . The innervation of such passages is proof , not that Seneca wrote for the stage , but that he was not without theatrical imagination ; he recorded in speech the gestic reaction of a character facing a vision , as he ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
4 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's