The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 10
The case , however , is not proven , and the question is still open to discussion . *
A . THE MIRROR - PASSAGES CONCERNING ENTRANCES AND EXITS In
contriving his entrances and exits a playwright faces a particular technical
problem .
The case , however , is not proven , and the question is still open to discussion . *
A . THE MIRROR - PASSAGES CONCERNING ENTRANCES AND EXITS In
contriving his entrances and exits a playwright faces a particular technical
problem .
Seite 13
An exit presents a different dramatic problem . A character ' s leaving the stage
must be motivated in some way . The Greek playwrights prepare an exit by few
impulse words . Sophocles ... Seneca does not motivate the exits . Usually they
are ...
An exit presents a different dramatic problem . A character ' s leaving the stage
must be motivated in some way . The Greek playwrights prepare an exit by few
impulse words . Sophocles ... Seneca does not motivate the exits . Usually they
are ...
Seite 102
As in Tamburlaine the exits are frequently prepared by orders spoken by the
protagonist , " who thus appears to be a ... In the end , however , he is beaten by
Faustus so that his last exit is most pitiful : Pope : 0 I am slain , help me , my lords
...
As in Tamburlaine the exits are frequently prepared by orders spoken by the
protagonist , " who thus appears to be a ... In the end , however , he is beaten by
Faustus so that his last exit is most pitiful : Pope : 0 I am slain , help me , my lords
...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |