The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 7
... elements covered by the theatrical notation , we follow a different aim . We regard these elements as parts of the structure and meaning of the play , parts so essential that the neglect of them must lead to mis- understanding in a ...
... elements covered by the theatrical notation , we follow a different aim . We regard these elements as parts of the structure and meaning of the play , parts so essential that the neglect of them must lead to mis- understanding in a ...
Seite 37
... elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a middle position between subject - matter and form : they are the stock characters of the nurse and the messenger ...
... elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a middle position between subject - matter and form : they are the stock characters of the nurse and the messenger ...
Seite 38
... elements in the play , which are definitely not classical : the play represents a medieval mirror of the fall of a family ; it contains dumb - shows ; two advisers , one good , one bad , take the place of the classical nurse ; the plot ...
... elements in the play , which are definitely not classical : the play represents a medieval mirror of the fall of a family ; it contains dumb - shows ; two advisers , one good , one bad , take the place of the classical nurse ; the plot ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's