The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 27
... effect : the people tremble.32 Fear may be more or less strong . Andromache , hiding her son from Ulyssses , uses all her will - power not to show her anxiety . But when Ulysses tells her what kind of death has been determined for ...
... effect : the people tremble.32 Fear may be more or less strong . Andromache , hiding her son from Ulyssses , uses all her will - power not to show her anxiety . But when Ulysses tells her what kind of death has been determined for ...
Seite 52
... effect of Guiscard's murder on Renuchio is so strong that he sees the outer cosmos in a distorted , uncanny light . Like the Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly ...
... effect of Guiscard's murder on Renuchio is so strong that he sees the outer cosmos in a distorted , uncanny light . Like the Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly ...
Seite 148
... effect of physical suffering and horror as is surpassed only by the following catastrophe , the murdering of Edward . Summary Edward the Second , Marlowe's most accomplished and mature play , contains a great amount of stage business ...
... effect of physical suffering and horror as is surpassed only by the following catastrophe , the murdering of Edward . Summary Edward the Second , Marlowe's most accomplished and mature play , contains a great amount of stage business ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's