The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 13
... direct address to objective description is abrupt . She suddenly loses her identity as a character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear ...
... direct address to objective description is abrupt . She suddenly loses her identity as a character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear ...
Seite 52
... direct mirror- passages are concerned . Expressionism , however , serves its purpose in Wilmot's imaginary mirror ... direct passages , some of which are clearly stimulated by the Roman playwright . Wilmot is careful to adapt the Senecan ...
... direct mirror- passages are concerned . Expressionism , however , serves its purpose in Wilmot's imaginary mirror ... direct passages , some of which are clearly stimulated by the Roman playwright . Wilmot is careful to adapt the Senecan ...
Seite 109
... direct speech . He is on the point of giving in , when he is suddenly stopped by the intervention of the old man . The handing over of the dagger reminds us of the Agydas scene in Tamburlaine . Again it is an expression of the power ...
... direct speech . He is on the point of giving in , when he is suddenly stopped by the intervention of the old man . The handing over of the dagger reminds us of the Agydas scene in Tamburlaine . Again it is an expression of the power ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's