The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 30
... described not at the moment when it takes place but beforehand . As the passage is of special force it sticks in the reader's or the hearer's mind and is remembered when the messenger reports that the event has taken place . While ...
... described not at the moment when it takes place but beforehand . As the passage is of special force it sticks in the reader's or the hearer's mind and is remembered when the messenger reports that the event has taken place . While ...
Seite 33
... described in an epic manner . The picture is detailed ; it includes even the sky . The passage is an example of pure word - scenery : it is impossible— and certainly not the author's intention - to reproduce it by concrete scenery on ...
... described in an epic manner . The picture is detailed ; it includes even the sky . The passage is an example of pure word - scenery : it is impossible— and certainly not the author's intention - to reproduce it by concrete scenery on ...
Seite 45
... described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears , she has so much self - control that she is able to ...
... described in mirror - passages , matches the prospective report of the nurse . Con- trary to this , Gismond does not enter the stage immediately afterwards ; when she finally appears , she has so much self - control that she is able to ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's