The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 11
... contains description which is not necessary for the simple purpose of introducing the seer . Other entrance passages refer to a person's social status . ' Medea announces her enemy Creon with the following words ( Seneca , Medea 176 ff ...
... contains description which is not necessary for the simple purpose of introducing the seer . Other entrance passages refer to a person's social status . ' Medea announces her enemy Creon with the following words ( Seneca , Medea 176 ff ...
Seite 39
... contains no description of the stage events . The impulse words " I will haste " are followed by a long motivation of the exit . Philander hopes to stop the quarrel between the two brothers Ferrex and Porrex by informing their father ...
... contains no description of the stage events . The impulse words " I will haste " are followed by a long motivation of the exit . Philander hopes to stop the quarrel between the two brothers Ferrex and Porrex by informing their father ...
Seite 48
... contains visual elements ( threatening looks , flashing eyes ) . As in Gis- mond so here Senecan expressionism is ... contain any direct mirror - passages . In its indirect passages ( emotion , fantasy ) it follows the Senecan example ...
... contains visual elements ( threatening looks , flashing eyes ) . As in Gis- mond so here Senecan expressionism is ... contain any direct mirror - passages . In its indirect passages ( emotion , fantasy ) it follows the Senecan example ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's