The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 13
... character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear frightened and cannot pos- sibly deliver a report which begins with an epic simile . The ...
... character in the play and becomes a mouthpiece of Seneca's . Thereby the dramatic illusion is broken ; at this particular moment she should appear frightened and cannot pos- sibly deliver a report which begins with an epic simile . The ...
Seite 35
... character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case ... character in the play but he serves as a mouthpiece of the author . He may sud- denly change from a direct address in ...
... character already on stage in reciprocal passages . In this manner the mood of the ensuing scene , or , in the case ... character in the play but he serves as a mouthpiece of the author . He may sud- denly change from a direct address in ...
Seite 94
... character . Her moods may be read in her face . Asked by Agydas about the meaning of her rest- lessness and pallor she answers : Zenocrate : Yet since a farther passion feeds my thoughts With ceaseless and disconsolate conceits , Which ...
... character . Her moods may be read in her face . Asked by Agydas about the meaning of her rest- lessness and pallor she answers : Zenocrate : Yet since a farther passion feeds my thoughts With ceaseless and disconsolate conceits , Which ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's