The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 13
As there is no reaction , she stops her admonitions and delivers a most careful
report about Medea ' s behaviour . The change in her speech from direct address
to objective description is abrupt . She suddenly loses her identity as a character
...
As there is no reaction , she stops her admonitions and delivers a most careful
report about Medea ' s behaviour . The change in her speech from direct address
to objective description is abrupt . She suddenly loses her identity as a character
...
Seite 35
Usually it is rendered visible by references to physical appearance or behaviour .
Such references are of a restricted , pattern - like nature : the same visual
elements recur time and again . Seneca ' s mirror - technique reveals a tendency
...
Usually it is rendered visible by references to physical appearance or behaviour .
Such references are of a restricted , pattern - like nature : the same visual
elements recur time and again . Seneca ' s mirror - technique reveals a tendency
...
Seite 93
Agydas is shocked and terrified by the threat in Tamburlaine ' s restrained
behaviour . He feels surrounded by dangers , and his personifications turn them
into spectral presences on stage . He is obsessed by the memory of Tamburlaine
' s ...
Agydas is shocked and terrified by the threat in Tamburlaine ' s restrained
behaviour . He feels surrounded by dangers , and his personifications turn them
into spectral presences on stage . He is obsessed by the memory of Tamburlaine
' s ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |