The Mirror-technique in Senecan and Pre-Shakespearean Tragedy |
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Seite 24
The crime indeed is monstrous , and so is his reaction to it . c ) Action In denoting
action Seneca may use the dramatic means of the gestic impulse . It appears for
instance in a scene between Phaedra and Hippolytus ( Seneca , Hippolytus 702
...
The crime indeed is monstrous , and so is his reaction to it . c ) Action In denoting
action Seneca may use the dramatic means of the gestic impulse . It appears for
instance in a scene between Phaedra and Hippolytus ( Seneca , Hippolytus 702
...
Seite 26
His most frequent means of describing action is the mirror - passage . Reflexive
mirror - passages may have the length of a scene , as when Medea performs her
magic rites in preparing the poison for Creusa . Here Medea records her action in
...
His most frequent means of describing action is the mirror - passage . Reflexive
mirror - passages may have the length of a scene , as when Medea performs her
magic rites in preparing the poison for Creusa . Here Medea records her action in
...
Seite 58
In general the stage - direction is not an accurate theatrical means ; it cannot refer
to an action at the moment it happens but it works retrospectively and
prospectively . The gestic innervation of speech is a much better means , for it
coordinates ...
In general the stage - direction is not an accurate theatrical means ; it cannot refer
to an action at the moment it happens but it works retrospectively and
prospectively . The gestic innervation of speech is a much better means , for it
coordinates ...
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Abigail action appears arms Barabas beginning behaviour blood body character comes condition contains crown death described direct dramatic Edward effect elements Elizabethan emotion Enter entrances event exits expression eyes face fall fantasy father Faustus fear feeling figure Gaveston gestic gesture gives grief hand head heaven hell Hercules Hieronimo Hippolytus Horatio imaginary imagination important impulse impulse words inner introduced Isabella kind king later looks lord manner Marlowe Mathias means Medea mentioned Mephistopheles mirror-passages mirror-technique mirrored mood Mortimer murder night objective occurs passage passion performance person physical play present references reflexive revenge says scene Senecan shows sight situation soul speak speech stage stage-direction stands subjective suggest symbolic Tamburlaine tears technique tell thee thou traditional tragedy transitive turn utters vision visual word-scenery
Bibliografische Informationen
| Titel | The Mirror-technique in Senecan and Pre-Shakespearean Tragedy Band 23 von Cooper monographs on English and American language and literature Band 23 von Cooper monographs Band 23 von The Cooper monographs on English and American language and literature, Theatrical physiognomy series Band 23 von The Cooper monographs: Theatrical physiognomy series Theatrical physiognomy series |
| Autor/in | Renate Stamm |
| Verlag | Francke, 1975 |
| Original von | University of California |
| Digitalisiert | 28. Juli 2008 |
| Länge | 162 Seiten |
| Zitat exportieren | BiBTeX EndNote RefMan |