The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 37
... Senecan features.1 Among them he stressed aspects of Senecan thought , such as fatalism and stoicism , but formal elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a ...
... Senecan features.1 Among them he stressed aspects of Senecan thought , such as fatalism and stoicism , but formal elements , too , as e . g . the five - act structure and the chorus . His other instances of Senecan influence hold a ...
Seite 52
... Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly effective here because it works by colour - symbolism ( red - black ) . Renuchio is even pursued by a vision : he sees a ghost - like ...
... Senecan characters he projects his inner trouble on the outside . The pathetic fallacy is particularly effective here because it works by colour - symbolism ( red - black ) . Renuchio is even pursued by a vision : he sees a ghost - like ...
Seite 74
... Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered , Belimperia says : Belimperia : I follow thee my love , and ...
... Senecan metaphor of the ship being tossed about by the storm.20 More frequent is the subjective expression of emotion . Entering the bower in which Horatio will be murdered , Belimperia says : Belimperia : I follow thee my love , and ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's