The Mirror-technique in Senecan and Pre-Shakespearean TragedyFrancke, 1975 - 162 Seiten |
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Seite 75
... Isabella holds up first one herb then another . The strongly stressed beginnings of the next lines ( “ ah " and " no " ) stimulate sudden violent movements . The stage - direction " She runs lunatic " is mirrored in her calls for ...
... Isabella holds up first one herb then another . The strongly stressed beginnings of the next lines ( “ ah " and " no " ) stimulate sudden violent movements . The stage - direction " She runs lunatic " is mirrored in her calls for ...
Seite 138
... Isabella : Your highness knows it lies not in my power . Edward : Away then ; touch me not . Come , Gaveston . Isabella : Villain ! ' tis thou that robb'st me of my lord . Gaveston : Madam , ' tis you that rob me of my lord . Edward ...
... Isabella : Your highness knows it lies not in my power . Edward : Away then ; touch me not . Come , Gaveston . Isabella : Villain ! ' tis thou that robb'st me of my lord . Gaveston : Madam , ' tis you that rob me of my lord . Edward ...
Seite 144
... Isabella assents with a weak , moralizing statement . Emotion : In general the references to emotion are short and abstract . An exception is a passage mirroring Isabella in extreme Senecan terms : Lancaster : Look where the sister of ...
... Isabella assents with a weak , moralizing statement . Emotion : In general the references to emotion are short and abstract . An exception is a passage mirroring Isabella in extreme Senecan terms : Lancaster : Look where the sister of ...
Inhalt
The MirrorTechnique in Senecan Tragedy | 10 |
The WordScenery | 33 |
Cambises | 53 |
Urheberrecht | |
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Abigail action Agydas Ambidexter appears Bajazeth Balthazar Barabas behaviour Belimperia blood Calymath character Christopher Marlowe comic Cosroe crown death described Doctor Faustus dramatic situation Edward effect Elizabethan emotion Enter entrances Euripides exits expression eyes face fantasy father fear feeling figure Gaveston gestic impulses gesture Gismond Gorboduc grief hand hath heaven hell Hercules Furens Hieronimo Hippolytus Horatio imaginary impulse words inner Isabella Jew of Malta king Lightborn Lodowick looks lord Lorenzo manner Marlowe's Mathias Matrevis means Medea Mephistopheles metaphor mirror-passages mirror-technique mirrored mood Mordred Mortimer murder Mycetes newcomer night notation Oedipus passion Pedringano Phaedra playwright Pope posture Queen quid references reflexive passage revenge scene Seneca's plays Senecan Senecan tragedy Snuf soul Spanish Tragedy speech stage events stage-direction symbolic Tamburlaine Tancred tears Techelles technique theatrical thee Theridamas Theseus Thomas Kyd thou Thyestes transitive Troades utters villain vision visual word-scenery Zenocrate Zenocrate's