The Plays of William Shakespeare, Band 9A. Leathley, 1766 |
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Seite 18
... use not ; you look pale and gaze , And put on fear , and caft yourself in wonder , To fee the ftrange impatience of the heav'ns : But if you would confider the true caufe , Why all thefe fires , why all thefe gliding ghofts , ( 3 ) Why ...
... use not ; you look pale and gaze , And put on fear , and caft yourself in wonder , To fee the ftrange impatience of the heav'ns : But if you would confider the true caufe , Why all thefe fires , why all thefe gliding ghofts , ( 3 ) Why ...
Seite 74
... use , you give place to accidental evils . [ Exeunt Lucilius and Titinius . If angry . Bru . No man bears forrow better . Porcia's dead . Caf . Ha ! Porcia ! Bru . She is dead . Caf . How ' fcap'd I killing , when I croft you fo ? O ...
... use , you give place to accidental evils . [ Exeunt Lucilius and Titinius . If angry . Bru . No man bears forrow better . Porcia's dead . Caf . Ha ! Porcia ! Bru . She is dead . Caf . How ' fcap'd I killing , when I croft you fo ? O ...
Seite 98
... use of pillar and fool , had regard perhaps to the etymology of the latter word , which comes from ETUA columna , WARB . This emendation is ingenious , but being not neceffary , I have left it in the note . ( 5 ) -bourn Bound or limit ...
... use of pillar and fool , had regard perhaps to the etymology of the latter word , which comes from ETUA columna , WARB . This emendation is ingenious , but being not neceffary , I have left it in the note . ( 5 ) -bourn Bound or limit ...
Seite 110
... understanding the word , reads , ray . ( 2 ) Remains in ufe- - ] The poet feems to allude to the le- gal diftinction between the use and absolute possession . Are Are newly grown to love ; the condemn'd Pompey , 110 . ANTONY AND CLEOPATRA .
... understanding the word , reads , ray . ( 2 ) Remains in ufe- - ] The poet feems to allude to the le- gal diftinction between the use and absolute possession . Are Are newly grown to love ; the condemn'd Pompey , 110 . ANTONY AND CLEOPATRA .
Seite 125
... use our strongest hands . Come , Menas . Lep . G SCENE II . Changes to Rome . Enter Enobarbus and Lepidus . [ Exeunt . WOOD Enobarbus , ' tis a worthy deed , And fhall become you well , t ' entreat your th Captain To foft and gentle ...
... use our strongest hands . Come , Menas . Lep . G SCENE II . Changes to Rome . Enter Enobarbus and Lepidus . [ Exeunt . WOOD Enobarbus , ' tis a worthy deed , And fhall become you well , t ' entreat your th Captain To foft and gentle ...
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Achilles Afide Agamemnon Ajax anfwer Antony beft blood Brutus Cæfar Cafar Cafca Caffius Calchas Char Charmian Cleo Cleopatra Clot Cloten Creffida Cymbeline defire Diomede doth Enter Eros Exeunt Exit eyes fafe faid falfe fear feems fenfe fhall fhew fhould firft fleep fome fpeak fpeech friends ftand ftill ftrange fuch fure fweet fword give Gods Guiderius Hanmer hath heart heav'n Hector himſelf honour Iach Iachimo Imogen itſelf kifs lady laft Lord Madam mafter Mark Antony moft moſt muft muſt myſelf Neft noble Octavia paffage Pandarus Patroclus Pifanio pleaſe Pleb Poft Pofthumus Pompey prefent Priam purpoſe quarto Queen reafon Roman Rome SCENE Shakespeare ſhall ſpeak tell thee thefe THEOBALD Ther theſe thing thofe thou Titinius Troi Troilus Ulyffes WARB WARBURTON whofe word