Culture and Everyday Life

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SAGE, 03.10.2005 - 207 Seiten
'Bennett provides a well organized, very readable and interesting discussion of a number of significant everyday cultural forms and I am confident student readers will find the book very valuable' - Barry Smart, University of Portsmouth

Culture and Everyday Life provides students with a comprehensive overview of theoretical models, issues and examples of contemporary cultural practice.

Bennett begins by summarising and situating - in everyday settings - the key theoretical models applied in the study of existing cultural practices. This entails a systematic study of how academic thinking about mass culture has changed, from critical accounts of early mass cultural theorists to radical postmodernist critiques of mass cultural accounts and to 'the cultural turn', which explored how various social identities are culturally constructed.

Following this are themed chapters that cover a particular aspect of late modern culture, such as media, music, fashion, tourism and counter-cultural ideologies and movements. In each case a comprehensive literature review is provided and its theoretical and empirical relevance to our understanding of the relationship between culture and everyday life in contemporary society is explained.

Lucid, meticulous and illustrated with a host of examples, this is a superb text for teaching and research in the Sociology of Culture and Cultural Studies.

 

Inhalt

Three The Cultural Turn
54
Four
75
73
193

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Autoren-Profil (2005)

Andy Bennett is Professor of Cultural Sociology in the School of Humanities, Languages and Social Science at Griffith University. He has written and edited over books including Popular Music and Youth Culture, Music, Style and Aging and Music Scenes (co-edited with Richard A. Peterson). He is a faculty fellow of the Yale Centre for Cultural Sociology, an international research fellow of the Finnish Youth Research Network, a founding member of the Consortium for Youth, Generations and Culture, and a founding member of the Regional Music Research Group.

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