Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 37
... wrote , and from there proceed to heavenly harmony or that of " our Spirituall part . " " William Ingpen , in an ardent restatement of the Occult Philosophy of Agrippa , considered skill in the art of numbering essential to all ...
... wrote , and from there proceed to heavenly harmony or that of " our Spirituall part . " " William Ingpen , in an ardent restatement of the Occult Philosophy of Agrippa , considered skill in the art of numbering essential to all ...
Seite 43
... wrote Ingpen . " In these compari- sons music gave comforting demonstration of the value of unhappiness , for it seemed axiomatic that in music , as in all arts and " sciences , " discord ( here difference unreconciled , and hence ...
... wrote Ingpen . " In these compari- sons music gave comforting demonstration of the value of unhappiness , for it seemed axiomatic that in music , as in all arts and " sciences , " discord ( here difference unreconciled , and hence ...
Seite 142
... wrote Aristotle , are made up of " matter " and " form " or " quality . " By sense perception man receives form without matter ; what is heard as sound is abstracted from the substance or medium of sound , which is air , air that has ...
... wrote Aristotle , are made up of " matter " and " form " or " quality . " By sense perception man receives form without matter ; what is heard as sound is abstracted from the substance or medium of sound , which is air , air that has ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote