Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 22
... written on these large volumes of the firmament : written also on the earth and the Seas , by the letters of all those living creatures , and plants , which inhabit and reside therein.2 In " Stars Voluminous " man read his own fate . In ...
... written on these large volumes of the firmament : written also on the earth and the Seas , by the letters of all those living creatures , and plants , which inhabit and reside therein.2 In " Stars Voluminous " man read his own fate . In ...
Seite 26
... written for an audience but for the performer , who could enjoy visual as well as auditory significance . John Farmer's volume of forty canons , each with two imitative voice parts written upon " one playnsong , " was " seen " as ...
... written for an audience but for the performer , who could enjoy visual as well as auditory significance . John Farmer's volume of forty canons , each with two imitative voice parts written upon " one playnsong , " was " seen " as ...
Seite 170
... written some years later , gives the reader a sense of stepping into an entirely different musical environment from that of the earlier poems . “ Music " here means merely notes written for words . Milton did not praise Lawes , as did ...
... written some years later , gives the reader a sense of stepping into an entirely different musical environment from that of the earlier poems . “ Music " here means merely notes written for words . Milton did not praise Lawes , as did ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote