Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite xi
... writers reveal many secrets - beliefs , prejudices , even personalities . The image is a rule by which one can gauge the changing temper of an age . Milton is inevitably the major writer who must be con- sidered in any study of ...
... writers reveal many secrets - beliefs , prejudices , even personalities . The image is a rule by which one can gauge the changing temper of an age . Milton is inevitably the major writer who must be con- sidered in any study of ...
Seite 60
... writers considered above , adding to the classics the authority of the Old Testament . It found support also in those Church Fathers who had absorbed Pythagorean and Platonic philoso- phy . The reformer followed the basic tradition of ...
... writers considered above , adding to the classics the authority of the Old Testament . It found support also in those Church Fathers who had absorbed Pythagorean and Platonic philoso- phy . The reformer followed the basic tradition of ...
Seite 142
... writers ) , who had defined sound and hearing in a quite different way . Sensible objects , wrote Aristotle , are made up of " matter " and " form " or " quality . " By sense perception man receives form without matter ; what is heard ...
... writers ) , who had defined sound and hearing in a quite different way . Sensible objects , wrote Aristotle , are made up of " matter " and " form " or " quality . " By sense perception man receives form without matter ; what is heard ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote