Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 60
... whole , the defense of musical sound came from the more Catholic church groups who defended all church cere- mony , and the attacks upon it came from the Puritan ele- ments , whether within or without the Church of Engand , who ...
... whole , the defense of musical sound came from the more Catholic church groups who defended all church cere- mony , and the attacks upon it came from the Puritan ele- ments , whether within or without the Church of Engand , who ...
Seite 103
... whole universe was believed to be filled and animated by spirit , a spirit that linked lowest stone to purest angel . This expansion of meaning did not originate with Ficino . From Aristotle , from the Stoics , and from Hermetic philo ...
... whole universe was believed to be filled and animated by spirit , a spirit that linked lowest stone to purest angel . This expansion of meaning did not originate with Ficino . From Aristotle , from the Stoics , and from Hermetic philo ...
Seite 261
... whole Sensitive Soule , or the whole Syntasis of the Spirits is inclined towards the beloved thing , lifts up to it the whole Nervous System , and together with the solid parts , draws , and leads the Humours : so when we are indulged ...
... whole Sensitive Soule , or the whole Syntasis of the Spirits is inclined towards the beloved thing , lifts up to it the whole Nervous System , and together with the solid parts , draws , and leads the Humours : so when we are indulged ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote