Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 62
... thought realizes with what diversity of meaning the word " nature " was used . In these discussions of music it meant , first of all , the “ essential property " of soul and of music . It assumed an immutable characteristic that makes ...
... thought realizes with what diversity of meaning the word " nature " was used . In these discussions of music it meant , first of all , the “ essential property " of soul and of music . It assumed an immutable characteristic that makes ...
Seite 141
... thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ( the secondary ...
... thought to have a reality of its own apart from its medium . Today the word " sound " is used to describe both external motion of the air ( the primary characteristic ) and also the effect of that motion in the mind ( the secondary ...
Seite 173
... thought from one " rich with colour and sound ... speaking every- where of purposive harmony and creative ideals ... thought . But Puritan bias does not seem to account entirely for his thought about music , for even in Paradise Lost he ...
... thought from one " rich with colour and sound ... speaking every- where of purposive harmony and creative ideals ... thought . But Puritan bias does not seem to account entirely for his thought about music , for even in Paradise Lost he ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote