Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 13
... suggestion of wind sounding through flute or recorder , instruments also called “ organs . " Do we not all have windpipes that sound perhaps “ as the maiden's organ , shrill and sound , " or a " big manly voice , / Turning again toward ...
... suggestion of wind sounding through flute or recorder , instruments also called “ organs . " Do we not all have windpipes that sound perhaps “ as the maiden's organ , shrill and sound , " or a " big manly voice , / Turning again toward ...
Seite 207
... suggestion of recitative also contributes to such a feel- ing . The prologue , especially , has an oratorical style which would be entirely out of keeping except in a formal dramatic presentation . Such a narrative song as that of the ...
... suggestion of recitative also contributes to such a feel- ing . The prologue , especially , has an oratorical style which would be entirely out of keeping except in a formal dramatic presentation . Such a narrative song as that of the ...
Seite 210
... suggestion of " Lycidas " point to the musical drama , and to musical drama alone , as a possible musical influence in its composition , granted that that particular literary - musical form of produc- tion would surely have been known ...
... suggestion of " Lycidas " point to the musical drama , and to musical drama alone , as a possible musical influence in its composition , granted that that particular literary - musical form of produc- tion would surely have been known ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote