Musical Backgrounds for English Literature: 1580-1650Rutgers University Press, 1962 - 292 Seiten The author traces the history of metaphysical ideas about music and explores the place of these in the poetry of Milton. |
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Seite 130
... speech . Peri described his settings as " lying between the slow and suspended movements of song and the swift rapid move- ments of speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term ...
... speech . Peri described his settings as " lying between the slow and suspended movements of song and the swift rapid move- ments of speech . " The composer Gagliano called this style a manner " di recitare cantando " -hence the term ...
Seite 226
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
... speeches and odes , we face another interesting problem . Milton's drama has ten speeches of the Chorus between five and ten lines in length . This circumstance , which the reader is likely to take for granted , is extremely rare in ...
Seite 258
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
... Speech , chap IV , Fifth Speech , chaps . II and VI , pp . 130 , 167 , 175 . 31. Ibid . , Sixth Speech , chap . II , pp . 183-184 . 32. Ibid . , Chap . VI , p . 189 . 33. Valency , In Praise of Love , p . 150 . 34. Marsilio Ficino's ...
Inhalt
A World of Instruments | 1 |
A Book of Knowledge | 21 |
A Religious Controversy | 47 |
Urheberrecht | |
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Musical Backgrounds for English Literature: 1580-1650 (Classic Reprint) Gretchen Ludke Finney Keine Leseprobe verfügbar - 2018 |
Häufige Begriffe und Wortgruppen
Adonis ancient Aristotle ayre beauty Ben Jonson body breath catena d'Adone celestial century chap choral chorus church classical Comus concord cosmic d'Orfeo dance demons divine doth ecstasy effects Elizabethan emblem emotions Falsirena Ficino George Wither Greek harmony harp heart heaven heavenly Henry ibid idea imagery imagined influence instrumental music Italian John Donne John Milton Jonson lines Loeb London lute Lycidas magic masque melodramma melody ment metaphysical Milton mind monody motion move musical drama musical instruments musical sound musician nature Neoplatonic Neoplatonists oratorio organ Orpheus Oxford Passions pastoral Phineas Fletcher Plato Plotinus poem poet Poetical poetry proportion Puritan Pythagorean ravish recitative Renaissance rhythm Robert Fludd Rome Samson Agonistes sense seventeenth-century singing sixteenth song soul speech stanza Stefano Landi strings style sung sweet theory things Thomas Thomas Campion thought Timaeus tion tune universe verse voice voyce words world spirit writers wrote